![]() ![]() It was dead out there late at night, and they'd sneak across the street and change the letters around like at the beginning of Fawlty Towers. Example: there was a porn video place across the street with a lit marquee board on the sidewalk. These folks not only helped us out on all levels, but were truly fun to be around. and become Brigid Segal), Mary Keith (eventually to become Mary Radai), and Nubs. One of the great joys of these sessions was having the company of David McIntire, Tom Shannon, Brigid Crawford (soon to marry M. You can hear the subtleties in the playing, things the musicians work for, which might not be audible otherwise. Also, in general, I have come to really prefer things dry. It's what we did in the room and I prefer it. I like the tracks better without the reverb. How could you ever find another musician like Kenny? Impossible. You know they do what they do well, but for example it's difficult to think of them in comparison to your own favorite players. It's hard to see when you're right in the middle of it, hard to properly appreciate it. I was able to hear the other guys more objectively. What we did didn't always work but when it did, which I feel was most of the time, it was something to celebrate. Getting reacquainted with these was both wonderful and painful. On behalf of the band, hope you enjoy it!- GS Making the original album was an unforgettable experience for all And what the band or the musician prefers is not always the same as what a listener might choose. Now, even if I were to cut out everything I didn’t personally like, we’d still have over three CDs worth so it wouldn’t make any sense to do that, considering it’s only 4 discs worth for the complete sessions. It was particularly hard to choose which pieces to use, because we were so happy with most of it. It’s to be expected, they were made up on the spot. Of course, not all of the tracks are good. I miss physical formats, but I'm thankful for the possibilities we have now. More to choose from, which explains why there’s so much material here.Īs for the tracks themselves, maybe five sixths are things I think we all would have released, if there'd been a format which would have allowed for it. Since this one was going to be 74 minutes, we needed We always recorded enough to have plenty to choose from for a complete album. ![]() There were a lot of surprises, most of them good! As I write this, M. When I started putting the album together, I hadn't heard the tapes since 1988, when they were recorded. The first night, March 6th, was the longest session, and it takes up what would be 2 CDs (29 tracks). I think the rereleased pieces sound noticeably different from the original release, hopefully making their repetition worthwhile for those already familiar with them.Įverything is in the order it was recorded. 25 of the 67 pieces recorded were used for that release, so in addition to those in a different state, you will also hear the remaining 42 pieces. D Yes I'm stuck in the middle with you, D Here I am, Stuck in the middle with you.These are the complete recordings from the sessions for Paper Bag:’s third album, “Music To Trash”. D Well I don't know why I came here tonight, D I got the feeling that something ain't right, G7 I'm so scared in case I fall off my chair, D And I'm wondering how I'll get down the stairs, A Clowns to the left of me, C G Jokers to the right, here I am, D Stuck in the middle with you. D Trying to make some sense of it all, D But I can see that it makes no sense at all, G7 Is it cool to go to sleep on the floor, D 'Cause I don't think that I can take anymore A Clowns to the left of me, C G Jokers to the right, here I am, D Stuck in the middle with you. G7 Well you started out with nothing, D And you're proud that you're a self made man, G7 And your friends, they all come crawlin, Slap you on the back and say, D G7 Please. D Yes I'm stuck in the middle with you, D And I'm wondering what it is I should do, G7 It's so hard to keep this smile from my face, D Losing control, yeah, I'm all over the place, A Clowns to the left of me, C G Jokers to the right, here I am, D Stuck in the middle with you. DO NOT SHOW ADS Intro: D Am7 A7sus4 C -2x-ĭ D Well I don't know why I came here tonight, D I got the feeling that something ain't right, G7 I'm so scared in case I fall off my chair, D And I'm wondering how I'll get down the stairs, A Clowns to the left of me, C G Jokers to the right, here I am, D Stuck in the middle with you. ![]()
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